126 lines
3.5 KiB
TeX
126 lines
3.5 KiB
TeX
%\documentclass[a4paper,11pt,twoside=semi,draft]{scrartcl}
|
||
\documentclass[a4paper,11pt,twoside=semi]{scrartcl}
|
||
|
||
\usepackage{xunicode}% for XeTex!
|
||
\usepackage{fontspec}% for XeTex!
|
||
\usepackage{xltxtra} % for XeTex!
|
||
|
||
\usepackage{amsfonts}% for Z12
|
||
\usepackage[french]{babel}
|
||
\usepackage{url}
|
||
\usepackage{tikz}
|
||
\usetikzlibrary{petri}
|
||
\usetikzlibrary{shapes}
|
||
\usetikzlibrary{positioning}
|
||
\usetikzlibrary{lindenmayersystems}% for Hilbert curve
|
||
\usepackage[lofdepth,lotdepth]{subfig}% replaces subfigure
|
||
\usepackage{scrtime}
|
||
\usepackage[section]{placeins}
|
||
%\usepackage{hyperref}
|
||
|
||
\defaultfontfeatures{Scale=MatchLowercase}
|
||
\setromanfont[Mapping=tex−text]{Linux Libertine O}
|
||
\setsansfont [Mapping=tex−text]{Linux Biolinum O}
|
||
\setmonofont [Mapping=tex−text]{Inconsolata}
|
||
|
||
\newcommand{\ircam}{\textsc{Ircam}}
|
||
\newcommand{\lps}{\textsc{Lps}}
|
||
\newcommand{\lisp}{\textsc{Lisp}}
|
||
\newcommand{\modalys}{\textbf{Modalys}}
|
||
\newcommand{\openmusic}{\textbf{OpenMusic}}
|
||
\newcommand{\musify}{\textbf{Musify}}
|
||
\newcommand{\mpri}{\textsc{Mpri}}
|
||
|
||
\newcommand{\todo}{\fbox{\texttt{todo}}}
|
||
|
||
\hyphenation{con-cen-trent}
|
||
\hyphenation{Cayley}
|
||
\hyphenation{Modalys}
|
||
\hyphenation{OpenMusic}
|
||
|
||
\newenvironment{agrandirmarges}[1]{%So that we can eat margin
|
||
\begin{list}{}{%
|
||
\setlength{\topsep}{0pt}%
|
||
\setlength{\listparindent}{\parindent}%
|
||
\setlength{\itemindent}{\parindent}%
|
||
\setlength{\parsep}{0pt plus 1pt}%
|
||
\setlength{\leftmargin}{-#1}\setlength{\rightmargin}{-#1}}
|
||
\item }%
|
||
{\end{list}}
|
||
|
||
\tikzset{
|
||
>=latex,
|
||
every place/.style={minimum size=6mm},
|
||
every transition/.style={minimum size=6mm},
|
||
token distance=5pt,
|
||
}
|
||
\tikzstyle{cover}=[fill=white,opacity=.6,text opacity=1,inner
|
||
sep=.1em,outer sep=.2333em]
|
||
\tikzstyle{lvar}=[draw,circle,minimum size=6mm,inner sep=1pt]
|
||
\tikzstyle{trans}=[draw,diamond,minimum size=6mm,inner sep=1pt]
|
||
\tikzstyle{gvar}=[draw,rectangle,minimum size=6mm,inner sep=1pt]
|
||
\tikzstyle{lmes}=[draw,circle,densely dotted,thick,minimum size=6mm,
|
||
inner sep=1pt]
|
||
\tikzstyle{gmes}=[draw,rectangle,densely dotted,thick,minimum
|
||
size=6mm,inner sep=1pt]
|
||
\tikzstyle{activator}=[->]
|
||
\tikzstyle{inhibitor}=[-|,shorten >=1pt]
|
||
\newcommand{\GBF}[1]{#1}
|
||
\newcommand{\PosSet}{PosSet}
|
||
\newcommand{\defeq}[1]{defeq~#1}
|
||
|
||
\pgfdeclarelindenmayersystem{Hilbert curve}{% Rewrite rule for Hilbert curve
|
||
\rule{L -> +RF-LFL-FR+}
|
||
\rule{R -> -LF+RFR+FL-}}
|
||
|
||
% ------------------------------------------------------------------------------
|
||
\begin{document}
|
||
\titlehead{{\Large\ircam\hfill\lps}\\%
|
||
UMR 9912 - STMS \hfill UMR 8502 - Université Paris-Sud\\%
|
||
1 place Igor Stravinsky \hfill Bâtiment 510\\%
|
||
75004 Paris \hfill 91405 Orsay}
|
||
\subject{Mémoire de M2}
|
||
\title{De la sonification à la « musification » des systèmes complexes}
|
||
\author{Martin \sc Potier}
|
||
\date{6 septembre 2012}
|
||
\publishers{\sc mpri}
|
||
\maketitle
|
||
|
||
\vfill
|
||
Stage encadré par :
|
||
\begin{itemize}
|
||
\item Moreno \textsc{Andreatta} (\ircam)
|
||
\item Wiebke \textsc{Drenckhan} (\lps)
|
||
\end{itemize}
|
||
|
||
\bigskip
|
||
Rapporteur :
|
||
\begin{itemize}
|
||
\item Gilles \textsc{Schaeffer}
|
||
\end{itemize}
|
||
\vfill
|
||
|
||
\hfill{\small Document compilé le \today\ à \thistime}
|
||
\thispagestyle{empty}
|
||
\cleardoublepage
|
||
|
||
% 2 pages
|
||
\begin{abstract}
|
||
Your abstract goes here...
|
||
\end{abstract}
|
||
\thispagestyle{empty}
|
||
\cleardoublepage
|
||
|
||
\tableofcontents
|
||
\thispagestyle{empty}
|
||
\cleardoublepage
|
||
|
||
% Content
|
||
\include{content}
|
||
|
||
\bibliographystyle{plain}
|
||
\bibliography{SonificationHandbook,StageSonification2012}
|
||
|
||
\appendix
|
||
\include{catalog}
|
||
\end{document}
|