%\documentclass[a4paper,11pt,twoside=semi,draft]{scrartcl} \documentclass[a4paper,11pt,twoside=semi]{scrartcl} \usepackage{xunicode}% for XeTex! \usepackage{fontspec}% for XeTex! \usepackage{xltxtra} % for XeTex! \usepackage{amsfonts}% for Z12 \usepackage[french]{babel} \usepackage{url} \usepackage{tikz} \usetikzlibrary{positioning} \usepackage[lofdepth,lotdepth]{subfig}% replaces subfigure \usepackage{scrtime} %\usepackage{hyperref} \defaultfontfeatures{Scale=MatchLowercase} \setromanfont[Mapping=tex−text]{Linux Libertine O} \setsansfont [Mapping=tex−text]{Linux Biolinum O} \setmonofont [Mapping=tex−text]{Inconsolata} \newcommand{\ircam}{\textsc{Ircam}} \newcommand{\lps}{\textsc{Lps}} \newcommand{\lisp}{\textsc{Lisp}} \newcommand{\modalys}{\textbf{Modalys}} \newcommand{\openmusic}{\textbf{OpenMusic}} \newcommand{\mpri}{\textsc{Mpri}} \newcommand{\todo}{\fbox{\texttt{todo}}} \hyphenation{con-cen-trent} \begin{document} \titlehead{{\Large\ircam\hfill\lps}\\% UMR 9912 - STMS \hfill Orsay \\% 1 place Igor Stravinsky \\% 75004 Paris} \subject{Mémoire de M2} \title{De la sonification à la « musification » des systèmes complexes} \author{Martin \sc Potier} \date{6 septembre 2012} \publishers{\sc mpri} \maketitle \vfill Stage encadré par : \begin{itemize} \item Moreno \textsc{Andreatta} (\ircam) \item Wiebke \textsc{Drenckhan} (\lps) \end{itemize} \bigskip Rapporteur : \begin{itemize} \item Gilles \textsc{Schaeffer} \end{itemize} \vfill \hfill{\small Document compilé le \today\ à \thistime} \thispagestyle{empty} \cleardoublepage % 2 pages %\begin{abstract} %Your abstract goes here... %\end{abstract} %\cleardoublepage \tableofcontents \thispagestyle{empty} \cleardoublepage % Content \include{content} \bibliographystyle{plain} \bibliography{SonificationHandbook,StageSonification2012} \appendix \include{catalog} \end{document}