First commit for the MPRI presentation (6 september 2012)
This commit is contained in:
commit
f7544d9870
5 changed files with 928 additions and 0 deletions
31
CMakeLists.txt
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31
CMakeLists.txt
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################################################################################
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# You need to install UseLATEX.cmake(http://www.itk.org/Wiki/CMakeUserUseLATEX)
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# To build latex pdf, you need an out-of-source build:
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# 1, create a build dir in the dir contains CMakeLists.txt and tex files
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# : mkdir build
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# 2, go into the build dir
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# : cd build
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# 3, building now
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# : cmake .. && make
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################################################################################
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project(main)
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cmake_minimum_required(VERSION 2.8)
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|
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set(CMAKE_MODULE_PATH ${CMAKE_ROOT}/Modules)
|
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message("CMAKE ROOT is ${CMAKE_ROOT}")
|
||||
message("CMAKE MODULE PATH is ${CMAKE_MODULE_PATH}")
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include(${CMAKE_MODULE_PATH}/UseLATEX.cmake)
|
||||
|
||||
set(PDFLATEX_COMPILER_FLAGS
|
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"-shell-escape"
|
||||
CACHE STRING "Flags passed to pdflatex."
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)
|
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set(PDFLATEX_COMPILER xelatex)
|
||||
|
||||
|
||||
ADD_LATEX_DOCUMENT(presentation.tex
|
||||
#BIBFILES StageSonification2012.bib SonificationHandbook.bib
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IMAGE_DIRS figs
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DEFAULT_PDF
|
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)
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370
SonificationHandbook.bib
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370
SonificationHandbook.bib
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@incollection{hermann_introduction_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Introduction},
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||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter1/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {1–6}
|
||||
},
|
||||
|
||||
@incollection{walker_theory_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Theory of Sonification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter2/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Walker, Bruce N. and Nees, Michael A.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {9–39}
|
||||
},
|
||||
|
||||
@incollection{carlile_psychoacoustics_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Psychoacoustics},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter3/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Carlile, Simon},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {41–61}
|
||||
},
|
||||
|
||||
@incollection{neuhoff_perception_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Perception, Cognition and Action in Auditory Display},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter4/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Neuhoff, John G.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {63–85}
|
||||
},
|
||||
|
||||
@incollection{serafin_sonic_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Sonic Interaction Design},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter5/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Serafin, Stefania and Franinović, Karmen and Hermann, Thomas and Lemaitre, Guillaume and Rinott, Michal and Rocchesso, Davide},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {87–110}
|
||||
},
|
||||
|
||||
@incollection{bonebright_evaluation_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Evaluation of Auditory Display},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter6/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Bonebright, Terri L. and Flowers, John H.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {111–144}
|
||||
},
|
||||
|
||||
@incollection{barrass_sonification_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Sonification Design and Aesthetics},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter7/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Barrass, Stephen and Vickers, Paul},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {145–171}
|
||||
},
|
||||
|
||||
@incollection{ferguson_statistical_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Statistical Sonification for Exploratory Data Analysis},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter8/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Ferguson, Sam and Martens, William L. and Cabrera, Densil},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {175–196}
|
||||
},
|
||||
|
||||
@incollection{cook_sound_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Sound Synthesis for Auditory Display},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter9/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Cook, Perry R.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {197–235}
|
||||
},
|
||||
|
||||
@incollection{bovermann_laboratory_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Laboratory Methods for Experimental Sonification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter10/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Bovermann, Till and Rohrhuber, Julian and Campo, Alberto de},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {237–272}
|
||||
},
|
||||
|
||||
@incollection{hunt_interactive_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Interactive Sonification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter11/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Hunt, Andy and Hermann, Thomas},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {273–298}
|
||||
},
|
||||
|
||||
@incollection{dombois_audification_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Audification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter12/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Dombois, Florian and Eckel, Gerhard},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {301–324}
|
||||
},
|
||||
|
||||
@incollection{brazil_auditory_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Auditory Icons},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter13/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Brazil, Eoin and Fernström, Mikael},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {325–338}
|
||||
},
|
||||
|
||||
@incollection{mcgookin_earcons_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Earcons},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter14/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {{McGookin}, David and Brewster, Stephen},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {339–361}
|
||||
},
|
||||
|
||||
@incollection{grond_parameter_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Parameter Mapping Sonification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter15/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Grond, Florian and Berger, Jonathan},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {363–397}
|
||||
},
|
||||
|
||||
@incollection{hermann_model-based_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Model-Based Sonification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter16/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Hermann, Thomas},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {399–427}
|
||||
},
|
||||
|
||||
@incollection{edwards_auditory_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Auditory Display in Assistive Technology},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter17/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Edwards, Alistair D. N.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {431–453}
|
||||
},
|
||||
|
||||
@incollection{vickers_sonification_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Sonification for Process Monitoring},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter18/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Vickers, Paul},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {455–491}
|
||||
},
|
||||
|
||||
@incollection{guillaume_intelligent_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Intelligent auditory alarms},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter19/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Guillaume, Anne},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {493–508}
|
||||
},
|
||||
|
||||
@incollection{brazil_navigation_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Navigation of Data},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter20/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Brazil, Eoin and Fernström, Mikael},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {509–523}
|
||||
},
|
||||
|
||||
@incollection{honer_aiding_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Aiding Movement with Sonification in {“Exercise}, Play and Sport”},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter21/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Höner, Oliver and Hunt, Andy and Pauletto, Sandra and Röber, Niklas and Hermann, Thomas and Effenberg, Alfred O.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
note = {Höner, O. (chapter ed.)},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {525–553}
|
||||
},
|
||||
|
||||
@incollection{honer_multidisciplinary_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Multidisciplinary Applications of Sonification in the Field of {“Exercise}, Play and Sport”},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter21/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Höner, Oliver},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
note = {Höner, O. (chapter ed.), references on pp 551-553},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {525–527}
|
||||
},
|
||||
|
||||
@incollection{hunt_use_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Use of Sound for Physiotherapy Analysis and Feedback},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter21/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Hunt, Andy and Pauletto, Sandra},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
note = {Höner, O. (chapter ed.), references on pp 551-553},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {528–531}
|
||||
},
|
||||
|
||||
@incollection{rober_interaction_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Interaction with Sound in auditory computer games},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter21/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Röber, Niklas},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
note = {Höner, O. (chapter ed.), references on pp 551-553},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {532–537}
|
||||
},
|
||||
|
||||
@incollection{honer_sonification-based_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Sonification-based Sport games and Performance Tests in Adapted Physical Activity},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter21/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Höner, Oliver and Hermann, Thomas},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
note = {Höner, O. (chapter ed.), references on pp 551-553},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {538–546}
|
||||
},
|
||||
|
||||
@incollection{effenberg_enhancing_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {Enhancing Motor Control and Learning by Additional Movement Sonification},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook/chapters/chapter21/},
|
||||
booktitle = {The Sonification Handbook},
|
||||
publisher = {Logos Publishing House},
|
||||
author = {Effenberg, Alfred O.},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
note = {Höner, O. (chapter ed.), references on pp 551-553},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User},
|
||||
pages = {547–550}
|
||||
}
|
326
StageSonification2012.bib
Normal file
326
StageSonification2012.bib
Normal file
|
@ -0,0 +1,326 @@
|
|||
|
||||
@inproceedings{eckel_sound_1995,
|
||||
title = {Sound synthesis by physical modelling with Modalys},
|
||||
url = {http://iem.at/~eckel/publications/eckel95b.html},
|
||||
booktitle = {Proceedings of the International Symposium of Music Acoustics},
|
||||
author = {Eckel, G. and Iovino, F. and Caussé, R.},
|
||||
year = {1995},
|
||||
keywords = {modal-synthesis, physical-modeling}
|
||||
},
|
||||
|
||||
@inproceedings{vickers_sonification_2006,
|
||||
title = {Sonification abstraite/sonification concrete: An ‘Æsthetic perspective space’ for classifying auditory displays in the ars musica domain},
|
||||
shorttitle = {Sonification abstraite/sonification concrete},
|
||||
booktitle = {International Conference on Auditory Display {(ICAD2006)}, London, {UK}},
|
||||
author = {Vickers, P. and Hogg, B.},
|
||||
year = {2006}
|
||||
},
|
||||
|
||||
@article{giavitto_computational_2002,
|
||||
title = {Computational Models for Integrative and Developmental Biology},
|
||||
author = {Giavitto, Jean-Louis and Godin, Christophe and Michel, Olivier and Prusinkiewicz, Przemyslaw},
|
||||
year = {2002}
|
||||
},
|
||||
|
||||
@inproceedings{puckette_low-dimensional_2004,
|
||||
title = {Low-dimensional parameter mapping using spectral envelopes},
|
||||
booktitle = {Proceedings, International Computer Music Conference, Miami},
|
||||
author = {Puckette, M.},
|
||||
year = {2004}
|
||||
},
|
||||
|
||||
@inproceedings{curry_capability_2003,
|
||||
title = {Capability of the human visual system},
|
||||
volume = {5080},
|
||||
booktitle = {Proc. {SPIE}},
|
||||
author = {Curry, D. G and Martinsen, G. and Hopper, D. G},
|
||||
year = {2003},
|
||||
pages = {58–69}
|
||||
},
|
||||
|
||||
@book{hermann_taxonomy_2008,
|
||||
title = {Taxonomy and Definitions for Sonification and Auditory Display},
|
||||
url = {http://pub.uni-bielefeld.de/publication/2017235},
|
||||
publisher = {{IRCAM}},
|
||||
author = {Hermann, Thomas},
|
||||
year = {2008},
|
||||
note = {Sonification is still a young research field and many terms such as sonification, auditory display, auralization, audification have been used without a precise definition. Recent developments such as the introduction of Model-based Sonification, the establishing of interactive sonification and the increased interest in sonification from arts have raised the issue of revisiting the definitions towards a clearer terminology. This paper introduces a new definition for sonification and auditory display that emphasize necessary and sufficient conditions for organized sound to be called sonification. It furthermore suggests a taxonomy, and discusses the relation between visualization and sonification. A hierarchy of closed-loop interactions is furthermore introduced. This paper aims at initiating vivid discussions towards the establishing of a deeper theory of sonification and auditory display.},
|
||||
keywords = {ddc:004}
|
||||
},
|
||||
|
||||
@article{kramer_sonification_1999,
|
||||
title = {The Sonification Report: Status of the Field and Research Agenda. Report prepared for the National Science Foundation by members of the International Community for Auditory Display},
|
||||
url = {http://icad.org/node/400},
|
||||
journal = {International Community for Auditory Display {(ICAD)}, Santa Fe, {NM}},
|
||||
author = {Kramer, G. and Walker, {BN} and Bonebright, T. and Cook, P. and Flowers, J. and Miner, N. and Neuhoff, J. and Bargar, R. and Barrass, S. and Berger, J. and others},
|
||||
year = {1999}
|
||||
},
|
||||
|
||||
@book{rahn_basic_1987,
|
||||
address = {New York; London},
|
||||
title = {Basic atonal theory},
|
||||
isbn = {0028731603 9780028731605},
|
||||
publisher = {Schirmer Books ; Collier Macmillan},
|
||||
author = {Rahn, John},
|
||||
year = {1987}
|
||||
},
|
||||
|
||||
@book{forte_structure_1973,
|
||||
address = {New Haven},
|
||||
title = {The structure of atonal music},
|
||||
isbn = {0300016107 9780300016109 0300021208 9780300021202},
|
||||
abstract = {Describes and cites examples of pitch-class sets and relations in atonal music.},
|
||||
publisher = {Yale University Press},
|
||||
author = {Forte, Allen},
|
||||
year = {1973}
|
||||
},
|
||||
|
||||
@inproceedings{walker_sonification_2003,
|
||||
title = {Sonification Sandbox: A graphical toolkit for auditory graphs},
|
||||
volume = {3},
|
||||
shorttitle = {Sonification Sandbox},
|
||||
booktitle = {Proc. {ICAD}},
|
||||
author = {Walker, {B.N.} and Cothran, {J.T.}},
|
||||
year = {2003}
|
||||
},
|
||||
|
||||
@article{gaver_sonicfinder:_1989,
|
||||
title = {The {SonicFinder:} An Interface That Uses Auditory Icons},
|
||||
volume = {4},
|
||||
url = {http://www.tandfonline.com/doi/abs/10.1207/s15327051hci0401_3},
|
||||
doi = {10.1207/s15327051hci0401_3},
|
||||
number = {1},
|
||||
journal = {Human‚ Computer Interaction},
|
||||
author = {Gaver, William W.},
|
||||
year = {1989},
|
||||
pages = {67--94}
|
||||
},
|
||||
|
||||
@techreport{axen_topological_1998,
|
||||
address = {Champaign, {IL}, {USA}},
|
||||
title = {Topological Analysis Using Morse Theory and Auditory Display},
|
||||
institution = {University of Illinois at Urbana-Champaign},
|
||||
author = {Axen, Ulrike},
|
||||
year = {1998}
|
||||
},
|
||||
|
||||
@inproceedings{raaij_listening_2004,
|
||||
title = {Listening to the Mind Listening},
|
||||
booktitle = {International Conference on Auditory Display},
|
||||
author = {Raaij, Hans Van},
|
||||
year = {2004}
|
||||
},
|
||||
|
||||
@article{adhitya_audio-assisted_2011,
|
||||
title = {Audio-assisted {Visualization–Sonification} of Complex Urban Systems with the {SUM} tool},
|
||||
author = {Adhitya, S.},
|
||||
year = {2011}
|
||||
},
|
||||
|
||||
@article{hermann_listen_1999,
|
||||
title = {Listen to your Data: Model-Based Sonification for Data Analysis},
|
||||
location = {http://www.scientificcommons.org/42945728},
|
||||
url = {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=?doi=10.1.1.42.7970},
|
||||
abstract = {Sonification is the use of non-speech audio to convey information. We are developing tools for interactive data exploration, which make use of sonification for data presentation. In this paper, model-based sonification is presented as a concept to design auditory displays. Two designs are described: (1) particle trajectories in a \"data potential\" is a sonification model to reveal information about the clustering of vectorial data and (2) \"data-sonograms\" is a sonification for data from a classification problem to reveal information about the mixing of distinct classes.},
|
||||
author = {Hermann, T. and Ritter, H.},
|
||||
year = {1999},
|
||||
keywords = {Acoustics, Cluster Analysis, Exploratory Data Analysis, Sonification}
|
||||
},
|
||||
|
||||
@article{hermann_sonification_2002,
|
||||
title = {Sonification for exploratory data analyis},
|
||||
location = {http://www.scientificcommons.org/34743641},
|
||||
url = {http://worldcat.org/oclc/76495716},
|
||||
abstract = {Bielefeld, Techn. University, Diss., 2002.},
|
||||
author = {Hermann, Thomas.},
|
||||
year = {2002},
|
||||
keywords = {Mensch-Maschine-Kommunikation}
|
||||
},
|
||||
|
||||
@phdthesis{vogt_sonification_2010,
|
||||
address = {Graz},
|
||||
title = {Sonification of Simulations in Computational Physics},
|
||||
school = {Karl-Franzens-University},
|
||||
author = {Vogt, Katharina},
|
||||
year = {2010}
|
||||
},
|
||||
|
||||
@article{puckette_using_2002,
|
||||
title = {Using Pd as a score language},
|
||||
author = {Puckette, Miller},
|
||||
year = {2002}
|
||||
},
|
||||
|
||||
@article{michel_theres_2007,
|
||||
title = {There's Plenty of Room for Unconventional Programming Languages, or, Declarative Simulations of Dynamical Systems (with a Dynamical Structure)},
|
||||
author = {Michel, Olivier and Giavitto, Jean-louis},
|
||||
year = {2007}
|
||||
},
|
||||
|
||||
@inproceedings{monro_what_2004,
|
||||
title = {What Are You Really Thinking?},
|
||||
booktitle = {International Conference on Auditory Display},
|
||||
author = {Monro, Gordon},
|
||||
year = {2004}
|
||||
},
|
||||
|
||||
@book{hermann_sonification_2011,
|
||||
address = {Berlin, Germany},
|
||||
title = {The Sonification Handbook},
|
||||
isbn = {978-3-8325-2819-5},
|
||||
url = {http://sonification.de/handbook},
|
||||
abstract = {This book is a comprehensive introductory presentation of the key research areas in the interdisciplinary fields of sonification and auditory display. Chapters are written by leading experts, providing a wide-range coverage of the central issues, and can be read from start to finish, or dipped into as required (like a smorgasbord menu). Sonification conveys information by using non-speech sounds. To listen to data as sound and noise can be a surprising new experience with diverse applications ranging from novel interfaces for visually impaired people to data analysis problems in many scientific fields. This book gives a solid introduction to the field of auditory display, the techniques for sonification, suitable technologies for developing sonification algorithms, and the most promising application areas. The book is accompanied by the online repository of sound examples.},
|
||||
publisher = {Logos Publishing House},
|
||||
editor = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G.},
|
||||
year = {2011},
|
||||
keywords = {Auditory, Computer, Computing;, Display;, Human, Interaction;, Interfaces;, Sonification, Sound, User}
|
||||
},
|
||||
|
||||
@inproceedings{colloque_autour_de_la_set_theory_actes_2008,
|
||||
address = {{[Paris];} {[Sampzon]} {(Le} Vallier, 07120)},
|
||||
title = {Actes du Colloque Autour de la set theory : rencontre musicologique franco-américaine, Ircam, 15-16 octobre 2003...},
|
||||
isbn = {2752100302 9782752100306 9782844264008 {284426400X}},
|
||||
shorttitle = {Actes du Colloque Autour de la set theory},
|
||||
publisher = {Ircam-Centre Pompidou ; Delatour France},
|
||||
author = {{{Colloque} Autour de la set theory} and Andreatta, Moreno and Bardez, Jean-Michel and Rahn, John and {{Institut} de recherche et coordination acoustique musique {(Paris)}}},
|
||||
year = {2008}
|
||||
},
|
||||
|
||||
@incollection{albini_hamiltonian_2009,
|
||||
series = {Communications in Computer and Information Science},
|
||||
title = {Hamiltonian Cycles in the Topological Dual of the Tonnetz},
|
||||
volume = {38},
|
||||
isbn = {978-3-642-02394-1},
|
||||
url = {http://dx.doi.org/10.1007/978-3-642-02394-1_1},
|
||||
abstract = {The Hamiltonian cycles in the topological dual of the Tonnetz (i.e. the successions of triads connected only through {PLR-transformations} which visit every minor and major triad only once) will be introduced, enumerated on, studied, and classified both from a theoretical and analytical point of view.},
|
||||
booktitle = {Mathematics and Computation in Music},
|
||||
publisher = {Springer Berlin Heidelberg},
|
||||
author = {Albini, Giovanni and Antonini, Samuele},
|
||||
editor = {Chew, Elaine and Childs, Adrian and Chuan, Ching-Hua},
|
||||
year = {2009},
|
||||
note = {10.1007/978-3-642-02394-1\_1},
|
||||
keywords = {Computer, Science},
|
||||
pages = {1--10}
|
||||
},
|
||||
|
||||
@book{drake_galileo_1990,
|
||||
address = {Toronto; Buffalo},
|
||||
title = {Galileo : pioneer scientist},
|
||||
isbn = {0802027253 9780802027252},
|
||||
shorttitle = {Galileo},
|
||||
publisher = {University of Toronto Press},
|
||||
author = {Drake, Stillman},
|
||||
year = {1990}
|
||||
},
|
||||
|
||||
@article{friendly_milestones_2002,
|
||||
title = {Milestones in the History of Thematic Cartography, Statistical Graphics, and Data Visualization},
|
||||
location = {http://www.scientificcommons.org/1423336},
|
||||
url = {http://htpprints.yorku.ca/archive/00000124/},
|
||||
abstract = {The graphic portrayal of quantitative information has deep roots. These roots reach into histories of thematic cartography, statistical graphics, and data visualization, which are intertwined with each other. They also connect with the rise of statistical thinking up through the 19th century, and developments in technology into the 20th century. From above ground, we can see the current fruit; we must look below to see the its pedigree and germination. There certainly have been many new things in the world of visualization; but unless you know its history, everything might seem novel.},
|
||||
author = {Friendly, Michael and Denis, Daniel J.},
|
||||
year = {2002},
|
||||
keywords = {17th Century, 18th Century, 19th Century, 20th Century, Europe, Instruments, Intellectual, North America, Statistics}
|
||||
},
|
||||
|
||||
@inproceedings{pauletto_toolkit_2004,
|
||||
address = {Sydney, Australia},
|
||||
title = {A toolkit for interactive sonification},
|
||||
url = {http://www.icad.org/websiteV2.0/Conferences/ICAD2004/papers/pauletto_hunt.pdf},
|
||||
abstract = {This paper describes work-in-progress on an Interactive Sonification Toolkit which has been developed in order to aid the analysis of general data sets. The toolkit allows the designer to process and scale data sets, then rapidly change the sonification method. The human user can then interact with the data in a fluid manner, continually controlling the position within the set. The interface used by default is the computer mouse, but we also describe plans for multiparametric interfaces which will allow real-time control of many aspects of the data. Early results of interactive sonic analysis of two example domains are described, but extensive user tests are being planned.},
|
||||
booktitle = {Proc. Intl. Conf. Auditory Display {(ICAD)}},
|
||||
author = {Pauletto, Sandra and Hunt, Andy},
|
||||
year = {2004},
|
||||
keywords = {enterface07, interactive-sonification, missing-details, missing-month, missing-pages, pure-data, Sonification}
|
||||
},
|
||||
|
||||
@book{candey_xsonify_2006,
|
||||
title = {{xSonify} sonification tool for space physics},
|
||||
author = {Candey, Robert M. and Schertenleib, Anton M.},
|
||||
year = {2006}
|
||||
},
|
||||
|
||||
@article{speeth_seismometer_1961,
|
||||
title = {Seismometer Sounds},
|
||||
volume = {33},
|
||||
issn = {00014966},
|
||||
url = {http://link.aip.org/link/JASMAN/v33/i7/p909/s1&Agg=doi},
|
||||
doi = {10.1121/1.1908843},
|
||||
number = {7},
|
||||
journal = {The Journal of the Acoustical Society of America},
|
||||
author = {Speeth, Sheridan Dauster},
|
||||
year = {1961},
|
||||
pages = {909}
|
||||
},
|
||||
|
||||
@article{schmoldt_digitoxin_1975,
|
||||
title = {Digitoxin metabolism by rat liver microsomes},
|
||||
volume = {24},
|
||||
issn = {0006-2952},
|
||||
url = {http://www.ncbi.nlm.nih.gov/pubmed/10},
|
||||
number = {17},
|
||||
journal = {Biochemical pharmacology},
|
||||
author = {Schmoldt, A and Benthe, H F and Haberland, G},
|
||||
month = sep,
|
||||
year = {1975},
|
||||
note = {{PMID:} 10},
|
||||
keywords = {Animals, Chromatography, Thin Layer, Digitoxigenin, Digitoxin, Hydroxylation, Male, Microsomes, Liver, {NADP}, Rats, Time Factors},
|
||||
pages = {1639--1641}
|
||||
},
|
||||
|
||||
@article{makar_formate_1975,
|
||||
title = {Formate assay in body fluids: application in methanol poisoning},
|
||||
volume = {13},
|
||||
issn = {0006-2944},
|
||||
shorttitle = {Formate assay in body fluids},
|
||||
url = {http://www.ncbi.nlm.nih.gov/pubmed/1},
|
||||
number = {2},
|
||||
journal = {Biochemical medicine},
|
||||
author = {Makar, A B and {McMartin}, K E and Palese, M and Tephly, T R},
|
||||
month = jun,
|
||||
year = {1975},
|
||||
note = {{PMID:} 1},
|
||||
keywords = {Aldehyde Oxidoreductases, Animals, Body Fluids, Carbon Dioxide, Formates, Haplorhini, Humans, Hydrogen-Ion Concentration, Kinetics, Methanol, Methods, Pseudomonas},
|
||||
pages = {117--126}
|
||||
},
|
||||
|
||||
@article{makar_formate_1975-1,
|
||||
title = {Formate assay in body fluids: application in methanol poisoning},
|
||||
volume = {13},
|
||||
issn = {0006-2944},
|
||||
shorttitle = {Formate assay in body fluids},
|
||||
url = {http://www.ncbi.nlm.nih.gov/pubmed/1},
|
||||
number = {2},
|
||||
journal = {Biochemical medicine},
|
||||
author = {Makar, A B and {McMartin}, K E and Palese, M and Tephly, T R},
|
||||
month = jun,
|
||||
year = {1975},
|
||||
note = {{PMID:} 1},
|
||||
keywords = {Aldehyde Oxidoreductases, Animals, Body Fluids, Carbon Dioxide, Formates, Haplorhini, Humans, Hydrogen-Ion Concentration, Kinetics, Methanol, Methods, Pseudomonas},
|
||||
pages = {117--126}
|
||||
},
|
||||
|
||||
@article{duggleby_competitive_1975,
|
||||
title = {A competitive labeling method for the determination of the chemical properties of solitary functional groups in proteins},
|
||||
volume = {14},
|
||||
issn = {0006-2960},
|
||||
url = {http://www.ncbi.nlm.nih.gov/pubmed/42},
|
||||
abstract = {The properties of the functional groups in a protein can be used as built-in-probes of the structure of the protein. We have developed a general procedure whereby the ionization constant and chemical reactivity of solitary functional groups in proteins may be determined. The method may be applied to the side chain of histidine, tyrosine, lysine, and cysteine, as well as to the amino terminus of the protein. The method, which is an extension of the competitive labeling technique using {[3H]-} and {[14C]1-fluoro-2},4-dinitrobenzene {(N2ph-F)} in a double-labeling procedure, is rapid and sensitive. Advantage is taken of the fact that after acid hydrolysis of a dinitrophenylated protein, a derivative is obtained which must be derived from a unique position in the protein. The method has been applied to the solitary histidine residue of lysozyme, alpha-lytic protease, and Streptomyces griseus {(S.G.)} trypsin, as well as to the amino terminus of the latter protein. The following parameters were obtained for reaction with N2ph-F at 20 degrees C in 0.1 N {KCl:} the histidine of hen egg-white lysozyme, {pKa} of 6.4 and second-order velocity constant of 0.188 M-1 min-1; the histidine of alpha-lytic protease, {pKa} of 6.5 and second-order velocity constant of 0.0235 M-1 min-1; the histidine of {S.G.} trypsin, {pKa} of 6.5 and second-order velocity constant of 0.0328 M-1 min-1; the valyl amino terminus of {S.G.} trypsin, {pKa} of 8.1 and second-order velocity constant of 0.403 M-1 min-1. In addition, the results obtained provide clues as to the microenvironments of these functional groups, and indicate that the proteins studied undergo {pH-dependent} conformational changes which affect the microenvironment, and hence the chemical reactivity of these groups.},
|
||||
number = {23},
|
||||
journal = {Biochemistry},
|
||||
author = {Duggleby, R G and Kaplan, H},
|
||||
month = nov,
|
||||
year = {1975},
|
||||
note = {{PMID:} 42},
|
||||
keywords = {Binding Sites, Binding, Competitive, Dinitrofluorobenzene, Histidine, Hydrogen-Ion Concentration, Kinetics, Muramidase, Peptide Hydrolases, Protein Binding, Streptomyces griseus, Trypsin, Valine},
|
||||
pages = {5168--5175}
|
||||
},
|
||||
|
||||
@book{isenberg_science_1992,
|
||||
address = {New York},
|
||||
title = {The science of soap films and soap bubbles},
|
||||
isbn = {0486269604 9780486269603},
|
||||
publisher = {Dover Publications},
|
||||
author = {Isenberg, Cyril},
|
||||
year = {1992}
|
||||
}
|
0
figs/placeholder.bmp
Normal file
0
figs/placeholder.bmp
Normal file
201
presentation.tex
Normal file
201
presentation.tex
Normal file
|
@ -0,0 +1,201 @@
|
|||
\documentclass[11pt]{beamer}
|
||||
|
||||
\usepackage{xunicode}% for XeTex!
|
||||
\usepackage{fontspec}% for XeTex!
|
||||
\usepackage{xltxtra} % for XeTex!
|
||||
|
||||
\usepackage{amsfonts}% for Z12
|
||||
\usepackage[french]{babel}
|
||||
\usepackage{url}
|
||||
\usepackage{tikz}
|
||||
\usetikzlibrary{shapes}
|
||||
\usetikzlibrary{shapes.geometric}
|
||||
\usetikzlibrary{positioning}
|
||||
\usetikzlibrary{fit}
|
||||
\usetikzlibrary{lindenmayersystems}% for Hilbert curve
|
||||
%\usetikzlibrary{external}
|
||||
%\tikzexternalize[prefix=figs/]
|
||||
%\tikzset{external/system call={xelatex \tikzexternalcheckshellescape
|
||||
% -halt-on-error -interaction=batchmode -jobname "\image" "\texsource"}}
|
||||
\usepackage[lofdepth,lotdepth]{subfig}% replaces subfigure
|
||||
|
||||
% The presentation specific packages
|
||||
\usepackage{hyperref}
|
||||
\usepackage{multimedia}
|
||||
|
||||
\defaultfontfeatures{Scale=MatchLowercase}
|
||||
\setromanfont[Mapping=tex−text]{Linux Libertine O}
|
||||
\setsansfont [Mapping=tex−text]{Ubuntu}
|
||||
\setmonofont [Mapping=tex−text]{Ubuntu Mono}
|
||||
|
||||
|
||||
\newcommand{\ircam}{\textsc{Ircam}}
|
||||
\newcommand{\lps}{\textsc{Lps}}
|
||||
\newcommand{\lisp}{\textsc{Lisp}}
|
||||
\newcommand{\modalys}{\textbf{Modalys}}
|
||||
\newcommand{\openmusic}{\textbf{OpenMusic}}
|
||||
\newcommand{\mpri}{\textsc{Mpri}}
|
||||
|
||||
\newcommand{\todo}{\fbox{\texttt{todo}}}
|
||||
|
||||
\hyphenation{con-cen-trent}
|
||||
\AtBeginSection[]{
|
||||
\frame{\sectionpage}
|
||||
}
|
||||
|
||||
\begin{document}
|
||||
\title{De la sonification à la « musification » de systèmes complexes}
|
||||
\author{Martin Potier}
|
||||
\date{6 septembre 2012}
|
||||
\institute{\ircam (CNRS) \and \lps (CNRS)}
|
||||
|
||||
% Each presentation will last 30 minutes (20 minutes of presentation + 10
|
||||
% minutes of questions). A video-projector will be available.
|
||||
|
||||
% Plan classique :
|
||||
% idem plan mémoire
|
||||
|
||||
\frame{\titlepage}
|
||||
|
||||
% Plan présentation :
|
||||
%\section*{Plan}
|
||||
\begin{frame}{Plan}
|
||||
\tableofcontents
|
||||
\end{frame}
|
||||
|
||||
\section[Notre problème]{Notre problème : décrire un système complexe}
|
||||
% Trouver des lois d'un système complexe sans connaissance a priori
|
||||
\begin{frame}{Comment décrire un système complexe ?}
|
||||
\begin{itemize}
|
||||
\item Parler de ses lois
|
||||
\item Trouver les observables impliqués
|
||||
\item Comment ?
|
||||
\end{itemize}
|
||||
\end{frame}
|
||||
|
||||
%\subsection{Manuellement}
|
||||
%\begin{frame}[À la main ?]
|
||||
% En prenant des mesures successivement, et en espérant trouver
|
||||
% une relation intéressante
|
||||
%\end{frame}
|
||||
|
||||
\subsection{Automatiquement}
|
||||
\begin{frame}{Automatiquement ?}
|
||||
À l'instar de [Schmidt 2009] : détection des invariants dans les
|
||||
données d'un système en libre mouvement
|
||||
\end{frame}
|
||||
|
||||
\subsection{Semi-automatiquement}
|
||||
\begin{frame}{Semi-automatiquement : image ou son}
|
||||
\begin{itemize}
|
||||
\item Visualisation : graphes, nuages de points
|
||||
\item Sonification
|
||||
\end{itemize}
|
||||
\end{frame}
|
||||
|
||||
% 10min :
|
||||
% On veut insister sur le côté *exploratoire* du sujet, et donc sa dimension
|
||||
% « recherche », mais pas sur la particularité du système (les mousses). On
|
||||
% peut pour cela présenter M1 au même moment que la sonification et poser la
|
||||
% question, et ensuite ? Qu'est-ce qui fait défaut, qu'est ce qui marche ?
|
||||
\section{La sonification}
|
||||
\begin{frame}{Définition}
|
||||
« Sonification is the transformation of data relations into perceived
|
||||
relations in an acoustic signal for the purposes of facilitating
|
||||
communication or interpretation ».\hfill\textbf{Kramer~1999}
|
||||
\end{frame}
|
||||
|
||||
\subsection{Un nouveau domaine}
|
||||
\begin{frame}{Un nouveau domaine}
|
||||
\begin{itemize}
|
||||
\item Regroupé autour de l'ICAD (depuis 1992)
|
||||
\item Formalisation de différentes méthodes de sonification
|
||||
\item
|
||||
\end{itemize}
|
||||
\end{frame}
|
||||
|
||||
\begin{frame}{Trouver des relations dans un
|
||||
ensemble de données avec la sonification}
|
||||
|
||||
\centering
|
||||
\begin{tikzpicture}[auto,bend right]
|
||||
\node (phyrel) {Physical relations};
|
||||
\node (phyobs) [draw,thick,below=of phyrel] {Observables};
|
||||
\node (musobs) [right=of phyobs] {Auditory object};
|
||||
\node (musrel) [above=of musobs] {Auditory relations};
|
||||
|
||||
\draw[blue,thick,->, dotted] (phyobs) -- (phyrel);
|
||||
|
||||
\draw[green!50!black,thick,->] (phyobs) to node [swap] {mappings} (musobs);
|
||||
\draw[green!50!black,thick,->] (musobs) -- (musrel);
|
||||
\draw[green!50!black,thick,->, dotted] (musrel) to node [swap] {?} (phyrel);
|
||||
\end{tikzpicture}
|
||||
\end{frame}
|
||||
|
||||
\subsection{Une expérience (M$_1$)}
|
||||
\begin{frame}{Les mousses liquides : un système dynamique et complexe}
|
||||
\end{frame}
|
||||
|
||||
\begin{frame}{Une première méthode}
|
||||
Utilisation du son pour déterminer des évènements du système
|
||||
|
||||
Mapping : nombre de voisines <-> fréquence
|
||||
\end{frame}
|
||||
|
||||
\subsection{Et maintenant ?}
|
||||
\begin{frame}{Bilan}
|
||||
Nous pouvons déterminer très \emph{globalement} des évènements de ce système
|
||||
|
||||
Mais nous n'avons qu'un niveau de description auditif à un seul échelon
|
||||
\end{frame}
|
||||
|
||||
% 10min :
|
||||
% Introduire ensuite la musification et les idées ( M2 M3 M4 ) qui vont avec.
|
||||
\section{Musification}
|
||||
\begin{frame}{Enrichir la sonification}
|
||||
%Musique est structurée, multi-échelle, familière à l'auditeur
|
||||
\centering
|
||||
\pgfdeclarelayer{background}
|
||||
\pgfsetlayers{background,main}
|
||||
\begin{tikzpicture}[align=center, every node/.style={auto}]
|
||||
\node (phystate) {État local du système};
|
||||
\node (phyobs) [below=of phystate] {Observables};
|
||||
\node (sonrel) [right=of phystate] {Relations sonores\\(analogiques)};
|
||||
\node (musrel) [above=of sonrel] {Relations musicales\\(symboliques)};
|
||||
\node (sonobs) [below=of sonrel] {Objets sonores};
|
||||
\node (phyrel) [above=of phystate] {État global du système\\Lois du système};
|
||||
\node (qt) at (barycentric cs:musrel=1,phyrel=1) [black,yshift=1cm] {?};
|
||||
\node (qb) at (barycentric cs:phyobs=1,sonobs=1)
|
||||
[black,yshift=-1cm,font=\scriptsize] {mappings\\sonification/musification};
|
||||
|
||||
\draw[thick,->, dotted] (phyobs) -- (phystate);
|
||||
\draw[thick,->, dotted] (phystate) -- (phyrel);
|
||||
\draw[black,thick,->] (phyobs) |- (qb) -| (sonobs);
|
||||
\draw[black,thick,font=\scriptsize,->] (sonobs)
|
||||
to node [swap,text width=21mm] {perception (IHM)} (sonrel);
|
||||
\draw[black,thick,->,dotted] (sonrel) to node [swap] {?} (phystate);
|
||||
\draw[black,thick,->] (sonrel) to (musrel);
|
||||
\draw[black,thick,->] (musrel.north) |- (qt) -| (phyrel.north);
|
||||
|
||||
\begin{pgfonlayer}{background}
|
||||
\node[draw=gray,dashed,thick,fill=gray!10,inner sep=5mm,xshift=3mm,yshift=-4mm,
|
||||
fit=(phystate) (sonrel) (sonobs) (phyobs) (qb)] {};
|
||||
\end{pgfonlayer}
|
||||
\end{tikzpicture}
|
||||
|
||||
%\caption{Cycle des transformations pour la recherche de relations
|
||||
%dans un système complexe par sonification}
|
||||
\end{frame}
|
||||
|
||||
\subsection{Un peu de théorie musicale}
|
||||
\begin{frame}{Tonnetz et Graphes de Cayley}
|
||||
\end{frame}
|
||||
|
||||
\subsection{L'idée de la musification}
|
||||
\subsection{Mises en pratique (M$_2$, M$_3$, M$_4$)}
|
||||
|
||||
\section{Bilan}
|
||||
\subsection{Ce qui a été fait}
|
||||
\subsection{Ce qu'il reste à faire}
|
||||
|
||||
\end{document}
|
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Reference in a new issue